Transcendental Splish-Splashing.
Fresh from Sam Boughton’s 3 day art retreat on the Ballachulish Riviera, I’m still bearing the ink stains - and the hallmarks of a student who can’t do whit they’re telt, but who knows she can try harder, and brings home the genuine desire and belief that if she keeps going and never gives up, she’ll reap reward after reward.
That’s great teaching. Sam’s commitment to her group is complete. She knows this is hard even when she makes it look SO easy. She’s been developing her practice for years.
We see her online - splashing some ink on the paper, flicking a dash of colour across it, and quickly dashing down some marks with art Graf. And there on the paper we see the estuary, the epic sky and the expanse of the land. There might have only been 4 or 5 moves on the paper. But we see it in its entirety.
We were all there so that we could learn how to do that. To limit our marks, learn what to put in and what to leave out. To make something that feels like the place where we are.
Some had travelled from Iceland, California, and SW France as well as England and closer to home in Ayrshire and Skye - such is Sam’s reach.
The course was hosted by Morag Young at Woodlands, Glencoe.
https://www.woodlands.scot/
Morag’s hospitality was everything you’d hope for in the Highlands. Gentle consideration of everyone’s needs. A participant in the course herself, her main aim was clearly the wellbeing of the group. She was there throughout the whole retreat and never wavered from her role. She also understood where we were all at, as we listened to Sam and then set off to just do what she’d told us to do - ready to catch us as we faced our efforts and often our disappointments.
There was much scratching of furrowed brows, and cocking of heads in critical analysis as we looked at our papers from different angles and wondered why it wasn’t as easy as Sam had just shown us. Our brains seemed to get in the way, marking down too much of what we were seeing and forgetting to get the feeling. I don’t do landscapes because I just can’t get the perspective and I don’t know what to leave out. But looking at Sam’s work made me want to find a way.
These 2 are mine. We were working in soft pastel as it was raining and the dampness worked well with the pastel. Ink would just wash away.
Wendy’s - I think.
Petra’s - perhaps.
With the promise of sunshine we headed to Cuil Bay. I’m not sure how many of us thought Sam turned up at her estuary and moorlands and just started flicking paint about. I know I did.
The reality is that she will spend at least an hour looking at the landscape and carefully mixing her inks to make the colours she’s seeing. She tests them on papers to see if she’s got that right and keeps mixing until she feels she has the colours she needs.
So whilst we all got supplied with the same inks that are on the paper to the right of pic, the colours we created and splashed on the paper were all very different. Sam is just testing her colours on the paper here. You need a spray bottle to water down colours on the paper that are too strong. But you also need dry paper to get the strong marks, so you need to let it dry and work on several papers at a time. And you need to keep some dry brushes to be able to make some dry textures.
You need to be athletic to chase your pots down the shore when you forgot to weigh them down with pebbles (or sit next to someone who is.) You need to have speed to catch your papers before they reach the sea when a mini tornado catches them. Zig-zag rugby skills may be required as each paper goes in a different direction. Ideally you will not be holding an open jar of ink as your paper flips in the wind and when you grab it, the ink shoots out the bottle onto your paper. Swearing in new company is optional but hard to avoid. Thankfully there’s a lot of space at Cuil Bay and my very Scottish approach to limiting my language seemed to go unheard - I hope. If only I could limit my marks so well.
I soaked my papers and forgot to let them dry. I wet all my brushes and mixed lots of colours and couldn’t tell what was in each pot. I just made colours up. I was out of control and splashing and spraying and swearing.
I showed my darling husband my efforts and he said it was like an exercise in reading ink blots.
I forgive him for this as I was having an amazing holiday on my doorstep. Freedom from thinking about ANYTHING else. Not even my dog, who went to work with Spook (husband). I came home each night and watched Spook cook my dinner as I sipped my wine.
Sam took us back to the studio and showed us how to edit our pictures right down. Where we thought we had nothing, Sam found a wee piece of treasure. She showed us how to develop that little piece of treasure into caskets of gold - how to mix acrylic colours that matched the inks we’d made. How to make a delicious creamy white that was the same colour as the paper we were using. When she did this and then splashed it across a painting, there was a collective, soft, worshipping whisper of ‘oooooh.’
Sam grinned and said “I LOVE painting”.
Inside my head, I was imagining Spook being in the room and looking at us, thinking ‘what just happened there? What did they see that I didn’t?’
That’s what happens when a diverse group of people are all there with a similar aim.
Cuil Bay was so blue.
Sam took Jo’s work, below, as an example of how to develop an idea.
She spent a good while mixing acrylics to the right colours and then just experimented using the ink images for inspiration.
She mixed the white and splashed it down…..that was when our collective sigh of satisfaction emanated from us, as we leaned in.
She took Antje’s sketch and showed us how you could play around with pastels without committing until you were happy. A tiny slither of turquoise pastel on a slip of paper to see if that was the thing to make it zing….
Where am I in all this? I’m hopping up and down on the rocks just making stuff up. Totally absorbed but completely unable ‘tae dae whit ah’m telt’. Thankfully Sam’s cropping down to reveal treasure, even if it was found on another beach - in a foreign land - gave me something to play with.
She showed us how to zone in with Margo’s painting…..
Yet again, we all said “ooooh”.
Because the colours were what we’d been seeing, it picked out a landscape we recognised.
I was clearly somewhere else. On analysis of my cropped ink blots some thoughts occurred…..
It was a bit stormier where I was.
There was no ink left in the bottle I was holding after the wind flicked the paper - so this is evidence of that wind. No sound affects, thank goodness.
My dear friend, Running Girl said she saw a ladies torso here with a bit of boob. This may say more about her than me. On reflection it probably IS a better piece of Life Drawing than I ever did when faced with a nude. I might call it The Naked Landscape.
I transported myself to a distant, volcanic land at sunset.
I’ve stayed on at Cuil Bay long after everyone else had gone home, to catch the local sunset (which I hadn’t!)
I’ve nipped up Mt Lushan in Sechuan Province in China - just because.
Ehhhhh. Gorse bushes? Wind? Grass seed? Aye!
Running Girl said “that’s the snow melting up at Nevis Range. “. Spook did send me a pic of where he and the dog were whilst I was at the bay….
I ripped most of this away and thought I could stick a bit of my ripped ink blot onto it…..
When it’s not your thing, it’s hard to understand why splashing paint, ripping, glueing and in my case, just making stuff up, brings so much pleasure.
Thankfully I have also purchased Sam’s excellent Plein Air part 1 course, online. It’s £27 and you keep it for ever. There is so much guidance and encouragement in this wee package that I’m going to determinedly keep learning and see if I can use some of this process to record some of things I DO see. This little course is a treasure in itself and I’ll definitely be looking out for part 2. https://www.facebook.com/share/1Gsn8WrP7F/?mibextid=wwXIfr
And if you’re not interested in painting anything you can still escape for a coffee or a meal at Woodlands, Glencoe or even some spa treatments. It’s 30 minutes from where I live in Banavie, Fort William and is a world apart. Lochaber is so diverse a region - why would you ever need to go anywhere else? Ok, so the suns shining right now and we instantly forget how long our winter has been!!
Next 3 pics are this mornings dawg-walk.
Happy daze. Thanks to all who took photos on the course, shared them and let me use them here. A fantastic group that I loved being a part of.
